Tag Video

Throwing a Rock

Last week I returned to the Italian consulate in San Francisco to get a student visa for my upcoming year at Helikos. I’ve been through the process before but like most people, I get edgy around that level of bureaucracy. It’s the feeling of border crossings, TSA screenings, CTBS testing. Anywhere where you are required to be interviewed by someone whose job it is to say no to you.

Here are some of the requirements of a successful visa application:

  1. completed application form
  2. one recent passport photograph
  3. original passport
  4. photocopy of passport
  5. original driver’s license
  6. photocopy of driver license
  7. original letter in Italian an accredited Italian Academic Institution
  8. proof of funds: a minimum of $900.00 per each month of stay is required.
  9. proof of adequate lodgings available for the entire stay
  10. round-trip flight reservations
It’s certainly not impossible to get it all together, really it’s a simple thing. But I still get completely nervous that they will find something missing or fibbed or wrong and bar me from ever entering Europe again. I imagine the big red stamp, written in block letters: DO NOT LET HIM IN.
All that scrutiny got me thinking of an improvisation class from the first year at the school I’ll be returning to Florence for. The exercise is simple: throw a stone. You turn to the audience and you’re alone on a pebbly beach in front of a vast ocean. You pick up a stone and toss it in the water, watch it splash and that’s all, the end. Dead simple right? It’s certainly not impossible to mime such a simple scene. What is difficult is to tell only the story of the neutral actor, the pebble and the beach. Much harder.
Take this video as an example of how seeing someone perform a seemingly a simple task—in this case throwing a stone with your non-dominate arm—reveals something very funny about human beings.
Submitting my visa application definitely feels like throwing the stone with my non-dominate arm. I performed the simple task but I also did a lot of unnecessary movement, stiff forgetfulness and the gyration of worry, before I lobbed that sheaf of papers over the desk of the consulate and said Grazie mille! when they were accepted.
Even after the application was accepted, the consular website urges me to remember: All visa applications are subject to further review. Applications do NOT guarantee issuance of visas. If an application is rejected, the applicant will be contacted and the passport will be returned along with an explanation for the rejection.

Ken Burns on Story

Direct from Kottke:

In this short film by Sarah Klein and Tom Mason, Ken Burns shares his thoughtful perspective on what makes a good story.

Abraham Lincoln wins the Civil War and then he decides he’s got enough time to go to the theatre. That’s a good story. When Thomas Jefferson said “we hold these truths to be self-evident, that all men are created equal”, he owned a hundred human beings and never saw the hypocrisy, never saw the contradiction, and more importantly never saw fit in his lifetime to free any one of them. That’s a good story.

Over at the Atlantic, Kasia Cieplak-Mayr von Baldegg has an interview with the filmmakers.

Theremin Busker in Ljubljana

Zhenya, Ana and I heard the strange music while standing on the triple bridge. At first I thought it was a saw player but as we got closer it was clear that the man was playing a homemade Theremin. His set-up included a PA system, mini disk player, CD player, all hacked into a homemade case and powered by a small gas generator 20 feet away and behind a sound baffle. Wonderful!

UPDATE:

Just a few hours after posting the video on YouTube someone called copperleaves made this very informative comment:

The busker is Romanian thereminist, Benedict Popescu. Other videos of this very unusual musician playing his even more unusual theremin can be found here on YouTube.

Outstanding Trampolineist

Super Pop Morning Dance

Here is an utterly amazing dance video Gene sent me. The level of control this guy has is unbelievable. I recommend watching it all the way through, his awesomeness increases over time.

Running Toward the Camera

Far From The Tree

I wasn’t able to see it when it was performed a few weeks ago, but Retta sent me a video of her Puppet  Lab performance at St. Ann’s Warehouse in New York. Check it out in the video below.

Retta says of the Puppet Lab workshops, “It was incredible to spend nine months working on the development of an idea, with no pressure and all sorts of feedback and encouragement and amazing mentors.”

Previously she’s studied with Dan Hurlin, one of the artists who sat on the excellent panel I saw last January where he warned against people building puppets and “wiggling them around.”

When I mentioned that to Retta she said, “That’s funny. The other puppet builders we talk to all say “everyone does it their own way—just build a mock up and start playing, learn what it can do, and then adjust it.”

Climbing in Mali

My uncle Dan sent me a link to this terrific video of French freestyle rock climber Catherine Destivelle filmed in 1987 in Bandiagara, Mali.

It is very much worth the whole ten minutes of viewing time. Sure there are some stomach churning hangs and other examples of what looks to be fine climbing. But just wait for the appearance of a trumpet playing Dogon “witch doctor”, a pygmy cliff dwelling, a cave full of skeletons, an idiot in jean shorts shooting a gun and the masked dancing stilt-walkers. Thanks Dan!

Science Fair

Watch Elise’s science fair project video.

Via Samimi Extremie

Phantom Limb’s 69˚S

These evocative marionettes were made for a new production called “69˚S.” by a New York puppet company called The Phantom Limb. This project has been in the works for a few years now and just a few days ago they got their last bit of funding.

I was excited to see this new work from them after hearing about this project from the artists who sat on a Henson Foundation panel I got to see in New York City last year. On the same trip I saw the Phantom Limb productionThe Devil You Know directed by Ping Cong.

I especially like the texture and detail in the costumes, it’s extraordinarily tricky to make fabric look like clothing at such a small scale. I love the sober expressions on the plainly formed heads. My first impression was that they were cut from blocks of gray styrofoam, then I thought maybe they were cast concrete. Now I’m convinced I have no idea what their made of, but I love their black eyes.

During the panel talk Jessica Grindstaff talked about the history of the company and how this project represented a lot of what they had learned from past productions. They got their start with some spectacular shows involving massive . She made special mention of the icebergs, and the creative thinking involved in creating the illusion of mass on stage.

Phantom Limb (Jessica Grindstaff & Erik Sanko, Co-Artistic Directors) is joined by an extraordinary team of multi-disciplinary collaborators. Synthesizing theater, dance, puppetry, photography, film, original contemporary music and an unconventional acoustic palette creating a stunning and evocative series of tableaux vivants that follows a group of gentlemen frozen (literally) in crisis.

Watch the video and you’ll see she solved the problem beautifully using fabric suspended from the fly. Stilt walking puppeteers are a bonus! Thanks to Taylor from the clown class for the link.